Rock never lets background info bog down the plot, yet Scripted still managed to immerse me in the Blissful Days subculture. Through Island-specific words ("camperf", "fralling") and vivid figurative language ("What if Callen were with me, watching the jellyfish, their transparent, filmy skins undulating through the water like silk scarves fluttering in the air?"), Rock crafts a rich, superbly-developed dystopia while maintaining an engaging, if not exactly breakneck, progression of internal and external conflicts. Although Rock endows nearly every major character with internal, as well as external, plotlines, I would've appreciated more emphasis on Lia's subplot. Lia seems to undergo personal growth, yet her subplot never amounts to the hopeful, satisfying turnaround she and— readers— deserve. Nevertheless, Scripted remains a fresh, gratifying read sure to charm fans of The Truman Show, Lois Lowry's The Giver, or Veronica Roth's Divergent.
